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    <lastmod>2025-05-01</lastmod>
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      <image:title>Albums - Ash and Bone</image:title>
      <image:caption>This album by David Long defies easy generic tags. Acoustic electronica, alt- folk, alt-chamber music or experimental instrumental are vaguely in the ballpark, but as David says, his music makes a constellation of these musical styles but never quite rests in any one of them. ‘I was listening to a lot of electronica and Bollywood as I wrote these pieces and the influence seemed to rub off. It resulted in a set of pieces that combine unusual tonal colours and strange broken sounds that inhabit a space between acoustic and electronic worlds.’ Players on the album: Mark Carter (trumpet), Rachel Vernon (bass clarinet), Pat Barry (clarinet), David Long (banjo, guitars, electronics), Carolyn Mills (harp), Bridget Douglas (flute), Andrew Jarvis (tuba), Riki Gooch (percussion and electronics), Graham Kennedy (recording engineer). Cover by Karl Maughan. See the live performance of the album here.</image:caption>
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      <image:title>Albums - Salty</image:title>
      <image:caption>Salty is the second album by The Mutton Birds released in 1994. Four songs — ‘The Heater’, ‘Anchor Me’, ‘In My Room’ and ‘Ngaire’ — reached the top 20 in the New Zealand singles chart with ‘The Heater’ reaching No.1</image:caption>
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      <image:caption>Utterance ‘entrancing and quite extraordinary collection of soundscapes... daring.. evocative..’ —Graham Reid, Elsewhere</image:caption>
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      <image:title>Albums</image:title>
      <image:caption>Acid &amp; Alkaline ‘... if we knew what we were doing, it wouldn't be research, would it?’ —Albert Einstein</image:caption>
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      <image:title>Albums</image:title>
      <image:caption>O Potassium ‘A thoroughly rewarding, sometimes slightly demanding, venture into a very different kind of aural outer'n'inner space.’ —Graham Reid, Elsewhere</image:caption>
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      <image:title>Albums - “David’s work reminds me of the Japanese tradition of wabi-sabi — the practice of repairing a broken ceramic with veins of gold. He does this with his music. He deconstructs it and then rebuilds it in a way that is so beautiful and unique”.</image:title>
      <image:caption>— Sean MacDonald</image:caption>
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  <url>
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    <lastmod>2025-05-23</lastmod>
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      <image:title>About</image:title>
      <image:caption>David’s career has spanned over 40 years and seen him work on numerous projects to commercial and critical acclaim. He won best TV score at the 2020 and 2022 APRA Awards for the BBC dramas, The Luminaries and Mystic respectively (Mystic was co-composed with Stephen Gallagher). He has composed scores for over twenty feature films including McLaren for which he won the APRA Silver Scroll award for Best Original Music, The Ground We Won, Gardening with Soul, Beyond the Edge, and additional score for Peter Jackson’s The Lovely Bones. He wrote music and created musical sound design for Peter Jackson’s Lord of the Rings trilogy and King Kong (with Plan 9 Music). His recent scores include The Moon is Upside Down, Mysterious Ways and Punch. He released a solo album Ash and Bone in 2022, and I’ll Hum the First Few Bars in March 2023, both through Rattle Records. He released All Things, Will Stay, Silent in late 2024. He was a founding member of The Mutton Birds and plays in the easy listening noise band, Teeth. David teaches two courses in film score composition at Te Herenga Waka (Victoria University of Wellington). In his own words he likes to “mash shit up”, creating orchestral scores that utilise “not only classical instruments but all sorts of things”. He works in Owhiro Bay, Poneke Wellington, Aotearoa New Zealand. A full biography can be found here and here For a full list of credits please visit IMDB.</image:caption>
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